Momentukininkė installation at Gallery The Closet, with portraits suspended throughout the room

Solo exhibition · 2025

Momentukininkė

Painter of Moments

Gallery
The Closet
Place
Busan, South Korea
Dates
12 April — 11 May 2025
Enter the exhibition

A collector of moments

A friend once called me a momentukininkė — a made-up Lithuanian word for a collector of moments. My portraits preserve fleeting expressions, quiet glances, and the feeling of being close to someone.

Inside the gallery

Close view of a painted portrait suspended among drawings
Wide interior view of the Momentukininkė installation
Gabija Malinauskaitė outside Gallery The Closet
Layered display of painted and drawn portraits
Exhibition visitors outside Gallery The Closet
Visitor viewing the suspended portrait installation

People close to me

These are portraits of my family and friends. Each carries memories of the time we spent together and the conversations around it. My mother encouraged me to draw faces when I was thirteen; what once felt impossible has become the most personal part of my work.

A portrait timeline, from first studies to Busan.

From early studies to the works made in Korea, these portraits trace my changing approach to the people I know best.

2024–2025

In Korea, I returned to oil pastels and began working with acrylics on canvas board, painting portraits of my friends and parents.

Holding On — portrait, Momentukininkė exhibition, 2024–2025
Holding OnOil pastel & pencil · 51×38 cm · 2024
Mkay — portrait, Momentukininkė exhibition, 2024–2025
MkayAcrylic on panel · 33.5×24 cm · 2024
Zarasai — portrait, Momentukininkė exhibition, 2024–2025
ZarasaiAcrylic on panel · 33.5×24 cm · 2025
Mama — portrait, Momentukininkė exhibition, 2024–2025
MamaAcrylic on panel · 33.5×24 cm · 2025
Tete — portrait, Momentukininkė exhibition, 2024–2025
TeteAcrylic on panel · 33.5×24 cm · 2025
Medis — portrait, Momentukininkė exhibition, 2024–2025
MedisAcrylic on panel · 33.5×24 cm · 2024–2025
Mamos Fotely — portrait, Momentukininkė exhibition, 2024–2025
Mamos FotelyOil pastel & color pencil · 51×38 cm · 2025

2023 August

Before moving to Korea, I drew my grandparents. These remain some of my most personal portraits.

Vacelis — graphite portrait, Momentukininkė exhibition, 2023
Vacelis

Graphite · 29.7×21 cm · 2023
Senelis — graphite portrait, Momentukininkė exhibition, 2023
SenelisGraphite · 29.7×21 cm · 2023
Lionė — graphite portrait, Momentukininkė exhibition, 2023
LionėGraphite · 29.7×21 cm · 2023

2023 March

Ballpoint pen portraits of a friend, drawn during quiet hours at the library where I worked.

Ballpoint pen portrait, Momentukininkė exhibition, 2023 (1 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (2 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (3 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (4 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (5 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (6 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (7 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (8 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (9 of 10)
Ballpoint pen portrait, Momentukininkė exhibition, 2023 (10 of 10)

2016–2017

My first steps into portraiture, using gouache, charcoal, and pastels.

Early portrait, Momentukininkė exhibition, 2016–2017 (2 of 6)
ČinčysCharcoal and chalk · 44×55 cm · 2017
Early portrait, Momentukininkė exhibition, 2016–2017 (3 of 6)
ViktorijaGouache · A3 · 2016
Early portrait, Momentukininkė exhibition, 2016 (4 of 6)
KazysGouache · A3 · 2016
Early portrait, Momentukininkė exhibition, 2016–2017 (5 of 6)
KaziukasGouache · A3 · 2016
Early portrait, Momentukininkė exhibition, 2016 (6 of 6)
EitvydėWax pastel · A3 · 2016